New Podcasts: Interviews with Joan Braderman director of Heretics & LA Film Grant with Carole Dean

We are excited to relaunch our podcast that highlights notable women in the world of cinema.

Interview with Carole Dean

In this podcast interview, Lindsay Castillo talks with Carole Dean. In 1992 Carole Dean created the Roy W. Dean Grant Foundation in honor of her late father. To date Carole’s grant and mentor-ship programs have provided filmmakers with millions of dollars in goods and services and have played an instrumental role in establishing the careers of some of the industry’s most promising filmmakers. Learn more about Carole Dean and how to apply for the LA Film Grant (Due June 30, 2010).

Listen to podcast interview:

http://www.sfwff.com/podcast

Interview with Joan Braderman

In this podcast interview, Scarlett Shepard, Executive Director of the Women's Film Institute, talks with Joan Braderman about her latest documentary film 'Heretics.'

Braderman traces the influence of the Women’s Movement’s Second Wave on art and life, The Heretics is the exhilarating inside story of the New York feminist art collective that produced “Heresies: A Feminist Publication on Art and Politics”.

In this feature-length documentary, cutting-edge video artist/writer/director Joan Braderman, who joined the group in 1971 as an aspiring filmmaker, charts the collective’s challenges to terms of gender and power and its history as a microcosm of the period’s broader transformations.

On the road with her camera crew from New Mexico to Italy, Braderman reconnects with 28 other group members. Still funny, smart and sexy, the geographically dispersed participants revisit how and why they came together and the extraordinary times they shared—supporting and exploring women’s art and demanding the right to be heard.

Listen to podcast interview:

http://www.sfwff.com/podcast

Coming soon to Frameline34

SFWFF is proud to be a community partner at this year's Frameline34, San Francisco International LGBT Film Festival!

SFWFF co-presents a film screening of Heretics directed by Joan Braderman on June 26th at 11:00 am at the Victoria Theater. Admission: $8 (General Admission) and $7 (Members).

For more information and to purchase tickets: 
http://www.frameline.org/frameline34

THE HERETICS uncovers the inside story of the Second Wave of the Women’s Movement for the first time in a feature film or video. Joan Braderman, director and narrator, follows her dream of becoming a filmmaker to New York City in 1971. By chance, she joins a feminist art collective at the epicenter of the 1970’s art world in lower Manhattan.  In her first person account, THE HERETICS charts the history of a feminist collective from the inside out. 

That group, the Heresies Collective, published: “HERESIES; A Feminist Publication on Art and Politics” from 1977-1992.  Unlike more traditional  “documentaries,” the film is framed with striking new digital motion graphics that extend the aesthetics of the magazine into the digital realm and onto the screen.  THE HERETICS focuses on The Heresies Collective as a microcosm of the larger international women’s movement, in which thousands of small, private groups of women met together in forms unique to their own settings, to consider their situation -- as women in a man’s world -- and to devise strategies for unlocking the potential in women’s lives. 

The hundreds of collective members, now scattered around the globe are accomplished artists, writers, architects, painters, filmmakers, designers, editors, curators, and teachers. Twenty-four of these women, speak intimately with the filmmaker about the extraordinary times they shared, challenging the terms of gender and power and re-imagining the lives of generations to come. 

Designing expressive ways to layer images, we work with: text, animation, archival stills and footage, the magazine itself, completed artworks and art as it is being made on sites world-wide. We collage all these elements in a language that evokes the collective experience and the aesthetics of the magazine.  The original soundtrack for THE HERETICS mirrors the "radical collage" aesthetic, mixing acoustic rock guitar, scat-singing, jazz piano and violin, made mainly by women.

Check out all 27 issues at:

http://helios.hampshire.edu/nomorenicegirls/heretics

Coming soon to Frameline34

SFWFF is proud to be a community partner at this year's Frameline34, San Francisco International LGBT Film Festival!

SFWFF co-presents a film screening of Heretics directed by Joan Braderman on June 26th at 11:00 am at the Victoria Theater.

Admission: $8 (General Admission) and $7 (Members).

For more information and to purchase tickets:
http://www.frameline.org/heretics

More about the film:
Welcome to the New York City art world of the 1970s, where women are underrepresented in the MOMA, in publishing, in theaters, as well as in pretty much every other artistic institution. What’s a group of feminist woman artists — painters, filmmakers, designers, writers, architects — to do? Form an art collective, hold endless meetings and publish a progressive magazine called HERESIES: A Feminist Publication on Art and Politics. That’s what.

Filmmaker Joan Braderman, a member of the collective, tracks down twenty-four other members who are now accomplished artists living around the globe. The women talk about the magazine that published Adrienne Rich, Alice Walker and Barbara Ehrenreich.

They reminisce about what it was like to be a woman in a man’s world: from an instructor who praised Ida Applebroog, “That is good, you paint just like a man,” to Mark Rothko, who said to Lucy Lippard, “You’re too cute to be an art critic.” They also recall differences and disagreements; since editors changed for each issue, some women protested when it was determined that only self-identified lesbians would edit the magagzine’s Lesbian Art and Artists Issue.

A collage of intimate interviews, archival footage and photographs, digital animation, contemporary art works, and music by women, this is far from an historical piece. Rather, The Heretics emphasizes that collective feminism is as relevant today as ever. It’s a call to action to transmit this “gift, this collective energy of woman’s togetherness” to the younger generation.
— NANI RATNAWATI